Set Your Photography Budget With Lens Rental

Photography budgets often tend to go overboard because of the surplus costs involved. The budget needs to be set right quickly unless things go haywire and one starts repenting his decision of taking up all the trouble in the first place. Since lenses are usually considered the most expensive part of all, it is appropriate that one rents them instead of going all out to purchase them. By paying affordable wide angle lens rental, the professional ensures that the net cost involved goes down considerably and that it can be used somewhere else for better purpose. Lenses like the Nikon Wide Angle Lens are very prestigious and apparently are sold at n astronomical price. The rent on which they can be leased is comparatively a fraction of their cost and by doing so the individual saves a lot of money.

Budgets involved in photography need to be handled very precariously. Even the most minuscule part might cost a fortune to purchase and hence, all options need to be considered prudently. It is times like these when one is compelled to think out of the box and the first strike that any smart individual would make is to avert purchasing the lenses and rather renting them. This is where one can make things easier by paying affordable photography lens rental and wide angle lens rental only to use those lenses and return them back when the usage is over.

Renting lenses and paying nominal lens rental seems to be the most frugal option available to photographers across the world looking forward to cutting down the photography budget to a great extent. Since the lenses are so delicate that they might get sabotaged if just kept around which would make the money spent on purchasing them futile, it is best to rent them from service providers and return them back. Since the costs involved in purchasing them are taken out of budget, it becomes easy to incorporate other important expenses in place of this. One simply gets the liberty to focus on other things.

Lens rentals have been made very affordable giving photographers and other professionals in the same line of work the space to cut down on the budget which otherwise would have never been possible in the first place. The photography lens rental can considerably be brought down by hiring lenses on returnable basis as their usage is not indefinite and them not being purchased creates space for something else to be accommodated. The rentals are mostly available on all sorts of lenses and can be hired from any good service provider like Since the lenses come at an affordable lens rental, it is also possible that the individual can hire multiple lenses at the same time. This way, the budget will never ever go overboard and will only come down apart from creating room for more features to be incorporated where the spare money can be used on other things.

Canon EF 200-400mm F/4L IS USM Extender 1.4x Lens Preview

Canon announced the development of the EF 200-400mm f/4L IS USM Extender 1.4x lens over two years ago. Ever since then, I have been longing for the release of this lens. When the official announcement finally came right after the midnight hour of May 13, 2013, I immediately placed my order even though the weight and price are higher than I have expected – 7.98 pounds and $11,799. My equipment supplier informed me I am in the top 5 of the waiting list and as soon as the first shipment arrives, the lens will be shipped out to me without delay.

I am a wildlife photographer and have been using Canon equipment for almost twenty five years. My subjects range from tiny Hummingbirds to Blue Whales, the largest animal on Planet Earth, ever. Over the decades, I have used and owned many ‘L’ series prime, zoom and Super Telephoto lenses. When the Series II versions of the Super Telephoto lenses came out in 2011, I refrained from upgrading until I have a chance to use the EF 200-400mm lens. Generally I am not overly excited by any new piece of Canon equipment, the EOS-1D X camera was the last exception but this new lens carries all the promise of a zoom lens with a built-in extender, all packed into a Super Telephoto lens barrel. I cannot emphasis the advantages of having a top quality super telephoto zoom lens. For years, I have suffered through missed opportunity when using prime telephoto lens on wildlife. Once the animal comes too close, there is a mad scramble to back up or try and grab another camera with a shorter focal length. Inevitably, I would end up missing crucial shots.

The EF 200-400mm is a large but manageable lens. It measures 5 inch in diameter and 14.4 inch in length without the lens hood. The front and rear lens elements are fluorine-coated to repel water, dust and dirt. When used with the Canon EOS-1D X camera, it will make cleaning much easier out in the field. It has a built-in 1.4x extender (see bulge in photo) specifically designed for the lens and three IS modes, like all the other Series II Super Telephoto lenses. Mode 1 is for stationary subjects. Mode 2 is for panning subjects, like bird in flight. Mode 3 is available only on Series II super telephoto lenses. In Mode 3, IS sound can be detected when the shutter release is half-pressed, but the image is not stabilized until the precise moment when the shot is taken. When I use an IS equipped lens, I always leave the IS on and set to Mode 1. To be honest, most of the time, I find there is a difference without a distinction between Mode 1 and 2. After panning for so many fast moving wildlife shots over the years, I have developed a rather good technique for myself already.

Up to now, no Canon Super Telephoto lens comes in a zoom. Adding a built-in 1.4x extender and a fixed f/4 aperture over the entire zoom range is a game changer for me. By the way, the minimum focusing distance over the entire zoom range is only 6.6 feet. Although this lens is revolutionary for a ‘L’ design, Canon actually experimented with the FDn 1200mm f/5.6 lens with a built-in 1.4x extender back in 1984 during the Olympic Games in Los Angeles.

To say the EF 200-400mm lens’ zoom range is flexible is an understatement. In addition to the built-in 1.4x extender, the lens also accepts the EF 1.4x and 2.0x III extenders. This means it can have a possible zoom range of 200mm to 1,792mm, when used with a combination of full frame, APS-H and APS-C cameras. EOS-5D Mk III and the EOS-1 bodies will allow AF down to f/8. Auto-focusing with apertures smaller than f/8 is not possible but this lens is well designed for that with FTM (full time manual) focusing built-in. This immense focal length range encourages creativity and open up many possibilities for long lens photography.

I am eagerly awaiting the arrival of my EF 200-400mm lens and have a few wildlife photo shoots coming up this summer, including Svalbard, Alaska and Africa. It should deliver photos with excellent image quality providing I have good luck with the wildlife sightings. Once I have given this lens a good workout in the field, I will write a detailed review of it as soon as possible.

Photography Techniques

For most photographers the most important factor in their photography is the sharp quality of their images. To get the very best quality we need to know which lenses to use and the best time to use they. There are several lenses on the market today that should become part of our every day tool.

Standard lenses: are the most common use on today market. A standard lens has a focal length between 40 mm and 60 mm, which can be used for all types of photography. It’s the most flexible of all the lenses and should remain on the camera body at all times.

Telephoto zoom lens: for any one interested in wildlife photography a telephoto lens should become your standard lens. With a focal length of between 60 mm and 300 mm, this is also a perfect lens for the sport enthusiast. The telephoto lens allows you to capture the far away object and can also be used for landscape images

You can use this lens for close-ups, but be careful with your composition. Large areas of the image will become blank and could destroy your picture.

When using a telephoto lens always make sure that you have the camera supported with a tripod. If you cant use a tripod try using a beanbag – rest the lens on the bag when taking your images.

Wide-angle lens: is the choice of most landscape photographers. They allow you to include as much of the scene as possible when you look in your viewfinder with a wide focal length of 17 mm to 40mm. The wider the lens you use, the closer you need to be to an object of foreground interest, to add impact to your photography. Ultra wide-angle lenses have a focal length of 8 mm to 28 mm.

Macro lens: is perfect for ultra close-ups shots with an average focal length of 100 mm. If you are looking to take images of small objects, such as: flowers or insects, a macro lens should become part of your camera bag. A macro lens will also allow you to take unique abstract images. By using a wide aperture with a macro lens on natural shapes can create the perfect abstract image.

Be careful with focusing when using a macro lens, it is tough on a good day and can be impossible if the weather is windy.